Les Poètes nègres des États-Unis / Jean Wagner

Public ISBD Titre : Les Poètes nègres des États-Unis : le sentiment racial et religieux dans la poésie de P. L. Dunbar à L. Hughes (1890-1940) Titre original : Black poets of the United States : from Paul Laurence Dunbar to Langston Hughes Type de document : texte imprimé Auteurs : Jean Wagner (1919-....), Auteur Editeur : Strasbourg - France : ISTRA Année de publication : 1963 Importance : XVI-639 p. Format : 25 cm Prix : 50 F Note générale : Thèse de l'auteur, Sorbonne, 1963. Bibliogr. p. 513-545 Langues : Français (fre) Catégories : Afro-américains dans la littérature ; Cullen, Countee (1903-1946) -- Critique et interprétation ; Du Bois, W. E. B. (1868-1963) -- Critique et interprétation ; Dunbar, Paul Laurence (1872-1906) -- Criticique et interprétation ; Harris, Joel Chandler (1848-1908) -- Critique et interprétation ; Hughes, Langston (1902-1967) -- Critique et interprétation ; Johnson, James Weldon (1871-1938) -- Critique et interprétation ; Kay, Claude (1890-1948) -- Critique et interprétation ; Littérature américaine -- Écrivains afro-américains -- Histoire et critique ; Poésie américaine -- Écrivains américains -- Histoire et critique ; Toomer, Jean (1894-1967) -- Critique et interprétation Index. décimale : 811.009 Résumé : This book attempts to assess a half century of Afro-American poetry published from 1890 to 1940, focusing on the human experience--individual and collective--from which this poetry was produced. In analyzing the place of black poetry in the American literary domain, attention is given to historical, religious, sociological, and cultural influences, and the life of each poet is examined in relation to his work. Following an introductory chapter on the Negro in the United States and the origins of 18th and 19th century black poetry, the contents include: "The Negro in the American Tradition in Dunbar's Time"; "Paul Laurence Dunbar," which presents a biographical sketch and studies Dunbar and the Southern plantation tradition and other themes in his poetry; "Dunbar's Contemporaries"; "The Negro Renaissance," which analyzes the role of W.E.B. Du Bois, the problems of self-definition, and the themes and conflicts of the poetry of the Negro Renaissance; "Claude McKay," which discusses the influences of Harlem and the lyricism of militancy in McKay's works; "James Weldon Johnson," which explores the poetry of Dunbar's disciple; "Langston Hughes," which discusses the universal appeal of Hughes's poetry; "Sterling Brown," which stresses fate and survival; and "Conclusion." (RB) Les Poètes nègres des États-Unis = Black poets of the United States : from Paul Laurence Dunbar to Langston Hughes : le sentiment racial et religieux dans la poésie de P. L. Dunbar à L. Hughes (1890-1940) [texte imprimé] / Jean Wagner (1919-....), Auteur . - Strasbourg - France : ISTRA, 1963 . - XVI-639 p. ; 25 cm. 50 F Thèse de l'auteur, Sorbonne, 1963. Bibliogr. p. 513-545 Langues : Français (fre) Catégories : Afro-américains dans la littérature ; Cullen, Countee (1903-1946) -- Critique et interprétation ; Du Bois, W. E. B. (1868-1963) -- Critique et interprétation ; Dunbar, Paul Laurence (1872-1906) -- Criticique et interprétation ; Harris, Joel Chandler (1848-1908) -- Critique et interprétation ; Hughes, Langston (1902-1967) -- Critique et interprétation ; Johnson, James Weldon (1871-1938) -- Critique et interprétation ; Kay, Claude (1890-1948) -- Critique et interprétation ; Littérature américaine -- Écrivains afro-américains -- Histoire et critique ; Poésie américaine -- Écrivains américains -- Histoire et critique ; Toomer, Jean (1894-1967) -- Critique et interprétation Index. décimale : 811.009 Résumé : This book attempts to assess a half century of Afro-American poetry published from 1890 to 1940, focusing on the human experience--individual and collective--from which this poetry was produced. In analyzing the place of black poetry in the American literary domain, attention is given to historical, religious, sociological, and cultural influences, and the life of each poet is examined in relation to his work. Following an introductory chapter on the Negro in the United States and the origins of 18th and 19th century black poetry, the contents include: "The Negro in the American Tradition in Dunbar's Time"; "Paul Laurence Dunbar," which presents a biographical sketch and studies Dunbar and the Southern plantation tradition and other themes in his poetry; "Dunbar's Contemporaries"; "The Negro Renaissance," which analyzes the role of W.E.B. Du Bois, the problems of self-definition, and the themes and conflicts of the poetry of the Negro Renaissance; "Claude McKay," which discusses the influences of Harlem and the lyricism of militancy in McKay's works; "James Weldon Johnson," which explores the poetry of Dunbar's disciple; "Langston Hughes," which discusses the universal appeal of Hughes's poetry; "Sterling Brown," which stresses fate and survival; and "Conclusion." (RB)

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