| Titre : |
Art as language : Wittgenstein, meaning, and aesthetic theory |
| Type de document : |
texte imprimé |
| Auteurs : |
Garry Hagberg (1952-....), Auteur |
| Editeur : |
Ithaca, New York [États-Unis] : Cornell University Press |
| Année de publication : |
1998 |
| Importance : |
xi, 196 p. ; 23 cm. |
| ISBN/ISSN/EAN : |
978-0-8014-8531-2 |
| Note générale : |
LDC: B3376.W564 H25 1998 |
| Langues : |
Anglais (eng) |
| Catégories : |
Esthétique -- 20e siècle ; Wittgenstein, Ludwig, 1889-1951
|
| Index. décimale : |
111'.85'092 |
| Résumé : |
Art as Language systematically considers the implications of the pervasive belief that art is a language or functions like language. This insightful book clarifies the similarities and differences between expression in speech and expression in art, and examines Wittgenstein's work on language and mind as it applies to several prominent aesthetic theories. Working from a Wittgensteinian perspective, G.L. Hagberg opens with a reexamination of some of the foundational aesthetic theorists of the earlier part of this century, including R.G. Collingwood and Susanne Langer |
| Note de contenu : |
Contents: 1. Art and the Unsayable - 2. Art as Thought - 3. The Language of Feeling - 4. Artistic Intention and Mental Image - 5. Against Creation as Translation - 6. The Silence of Aesthetic Solipsism - 7. The Aesthetics of Indiscernibles - 8. Art and Cultural Emergence |
Art as language : Wittgenstein, meaning, and aesthetic theory [texte imprimé] / Garry Hagberg (1952-....), Auteur . - Ithaca, New York (États-Unis) : Cornell University Press, 1998 . - xi, 196 p. ; 23 cm. ISBN : 978-0-8014-8531-2 LDC: B3376.W564 H25 1998 Langues : Anglais ( eng)
| Catégories : |
Esthétique -- 20e siècle ; Wittgenstein, Ludwig, 1889-1951
|
| Index. décimale : |
111'.85'092 |
| Résumé : |
Art as Language systematically considers the implications of the pervasive belief that art is a language or functions like language. This insightful book clarifies the similarities and differences between expression in speech and expression in art, and examines Wittgenstein's work on language and mind as it applies to several prominent aesthetic theories. Working from a Wittgensteinian perspective, G.L. Hagberg opens with a reexamination of some of the foundational aesthetic theorists of the earlier part of this century, including R.G. Collingwood and Susanne Langer |
| Note de contenu : |
Contents: 1. Art and the Unsayable - 2. Art as Thought - 3. The Language of Feeling - 4. Artistic Intention and Mental Image - 5. Against Creation as Translation - 6. The Silence of Aesthetic Solipsism - 7. The Aesthetics of Indiscernibles - 8. Art and Cultural Emergence |
|  |
Accueil
111 
